I’ve been reading what I can about Robin Thicke’s hit “Blurred Lines”, and part of why I feel the need to put my two cents in is because I actually really like the song. It’s fun and catchy and I always turn up the volume to yell “YOU DA HOTTEST BITCH IN THIS PLACE.” But my enjoyment of it doesn’t really negate the fact that it’s sketchy, to put it nicely.
The video isn’t really worth my time discussing because it seems like it’s mostly calculated view-bait. Videos that are banned from YouTube are typically part of the marketing strategy, a sort of salacious invitation that most (including myself) can’t resist. But when you actually watch it, it’s mostly topless models cavorting. Not too interesting, except at some parts their hair isn’t covering their breasts. (“Like a stupid fashion magazine, right?” -Bob’s Burgers)
The fact that the song is called “Blurred Lines” itself is just so ooomph. “I know you want it” itself isn’t too bad, because the song kind of implies that he’s talking to a girl who’s too shy or too much of a “good girl” to express her sexual desires. But if the lines are blurred, how do you know she wants it?
(videos is NSFW)
I remember a few think pieces about consent in R&B and I think that that’s an important thing to talk about, as long as it doesn’t blame R&B for the rape culture that makes the problems in this song go relatively unnoticed. Problems in the genre are actually problems in music and the culture at large, which is why when Two Door Cinema Club uses one of the most misogynistic album covers that I’ve seen in a long time, it’s not an indictment on all babyfaced Irish dweebs. That doesn’t mean that I don’t think we shouldn’t be talking about “Blurred Lines”, Miguel’s hugely creepy “How Many Drinks?”, or the Weeknd’s lyrics that verge on date rape. But that’s a small part of a bigger picture, and R&B is actually packed with women right now who are singing not only about consensual sex, but female enjoyment and revelation in it.
Right now you can’t turn on a hip-hop station without hearing Kelly Rowland’s “Kisses Down Low” or Ciara’s “Body Party”. “Kisses Down Low” is one of the few songs in recent memory that is instructive about cunnilingus (meaning the lady is describing how she wants it MUCH LIKE A MAN WOULD DO), and “Body Party” is so enthusiastically consensual (“You can’t keep your hands off me” followed by “I can’t keep my hands of you”) that Ciara cast her current partner, Future, in the video.
A few years back Latoya Peterson was interviewed by Spin about the supposed maturation of hip-hop with the moral decline of R&B, and she had some pretty interesting things to say about how music isn’t catered to women.
“Generally speaking, pop culture is not interested in the desires of women. Every industry has this problem. There’s no Bechdel Test for records, but generally what women are doing isn’t considered noteworthy unless it’s tailored for male consumption. Trey Songz may get to be eye candy and Kanye gets to have a few reflective moments, but that doesn’t mean society suddenly has started caring more about what women want.”
He might “know you want it” but Robin Thicke’s type of leering, gauche fantasy of a woman who is too shy to voice her desire (or even worse, doesn’t desire it at all), is very far from this world where women write and control their own narratives.